• Film graphic
• Empire of the Sun artwork
• Release art

Release art

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Film graphic

There are numerous scenes in Bridge Of Spies that have files and paperwork in the background. The pages of these files were well-thought-out and planned. There was excellent attention to detail. And the graphic designers for the film used rubber stamps, typewritten notes, and types of paper that helped create a more authentic feel for the audience and cast members.

When people think of graphic designers, they think of them working in content marketing, advertising, creating logos, websites, and promotional designs for print and the digital world. However, they are just as important in the world of television and film.

During the second season of the television show, The Tudors, there were scenes that required maps of France. These maps were not able to reach the set in time as they were being printed outside the country for authenticity. However, when the graphic designer was told the maps were needed urgently as they were a crucial prop for the scene, the graphic design team had to figure out a way to print them locally.

There are numerous scenes in Bridge Of Spies that have files and paperwork in the background. The pages of these files were well-thought-out and planned. There was excellent attention to detail. And the graphic designers for the film used rubber stamps, typewritten notes, and types of paper that helped create a more authentic feel for the audience and cast members.

When people think of graphic designers, they think of them working in content marketing, advertising, creating logos, websites, and promotional designs for print and the digital world. However, they are just as important in the world of television and film.

During the second season of the television show, The Tudors, there were scenes that required maps of France. These maps were not able to reach the set in time as they were being printed outside the country for authenticity. However, when the graphic designer was told the maps were needed urgently as they were a crucial prop for the scene, the graphic design team had to figure out a way to print them locally.

Empire of the Sun artwork

The first featured a ruined castle that was blown up intentionally by the Japanese army during the Second World War. The second comprised photographs taken a decade after the atomic bomb exploded in Hiroshima. They showed the stains and flaking ceilings of the Atomic Bomb Dome, the only structure left standing at the heart of the detonation zone. The third part concerned Tokyo during the period of economic recovery: images of advertising, scrap iron, the trampled national flag and emblems of the American Forces such as Lucky Strike and Coca-Cola, all twisted together, their order shuffled again and again. Some appeared as a montage to be presented as a metaphor. I dare not say the meaning of it.

Chloe Dewe Mathews (British, b. 1982) Six Farm, Loker, West-Vlaanderen 2013 Private Joseph Byers Private Andrew Evans Time unknown / 6.2.1915 Private George E. Collins 07:30 / 15.2.1915 © Chloe Dewe Mathews

Dr Marcus Bunyan is an Australian artist and writer. His art work explores the boundaries of identity and place. He curates Art Blart, art and cultural memory archive, which posts mainly photography exhibitions from around the world. He holds a Doctor of Philosophy from RMIT University, Melbourne, Master of Arts (Fine Art Photography) from RMIT University, and Master of Art Curatorship from the University of Melbourne.

Release art

Musical performers often self-release (self-publish) their recordings without the involvement of an established record label. While some acts who enjoy local or small scale popularity have started their own labels in order to release their music through stores, others simply sell the music directly to customers, for example, making it available to those at their live concerts. With the growth of the Internet as a medium for publicizing and distributing music, many musical acts have sold their recordings over the Internet without a label. Unlike self-publishing a novel, which is usually done only when no other options exist, even well-established musicians will choose to self-release recordings. Music managers are increasingly getting involved in such releases and with the advent of artist management labels which have stepped in to save the situation. In Kenya, for example, most record labels only handle production, thus leading to a situation where records are marketed less. This has prompted music companies like Grosspool Music to sign independent artists and manage their branding, releases, and marketing.

The Agile Release Train (ART) is a fundamental concept in the Scaled Agile Framework (SAFe), a methodology used in product management and operations. The ART is a metaphor for a long-lived, self-organizing team of Agile teams, which, like a train on its tracks, moves along a predetermined path and schedule to deliver incremental value in the form of working, tested software and systems.

On the same theme of fancy terms, a program increment (PI) is another way of denoting the regular two-week sprint that ART teams commit to, by which they deliver a system increment by the end of the PI period.

Given ARTs typically comprise up to 150 dedicated full-time members and 12 teams, there’s a mixture of key roles to direct the overall ART and several supporting roles for the individual teams. Here’s an overview of the roles and responsibilities that deliver value through the program.

After each sprint (or PI) is over, the whole ART team — led by key leadership individuals in the team — should meet up to hold an IP session. This is a dedicated time for the team to plan the next sprint or PI, as well as spend time talking about change management and infrastructure maintenance as well.